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		<title>Poetry</title>
		<description>Johnsinclair.us - The official John Sinclair website.</description>
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			<title>Fat Boy</title>
			<link>http://localhost/backup/poetry/70-full-cirlce/819-fat-boy.html</link>
			<guid>http://localhost/backup/poetry/70-full-cirlce/819-fat-boy.html</guid>
			<description><![CDATA[<br /> <strong> fat boy </strong><br /><br />  <em>for charles moore</em><br /><br /><br />    There is something<br /> about the American<br /> mind<br /><br />  set on de-<br /> struction, re-<br /> lent-<br /><br />  less, un-<br /> penitent, <br /> eager to bomb<br /><br />  There is the hatred<br /> that fuels the A-<br /> merican mind, <br /><br />  the shriveled-up<br /> heart<br /> the heartless<br /><br />  always ready<br /> to kill<br /> &amp; maim<br /><br />  brutal<br /> with the urge<br /> to crush &amp; destroy<br /><br />  This is where<br /> they built Fat Boy, Mr. U-<br /> 235<br /><br />  &amp; they sent<br /> Fat Boy<br /> to Japan<br /><br />  to level<br /> Hiroshima<br /> &amp; Nagasaki<br /><br /><br />    They love Fat Boy<br /> they feed him the sweets<br /> of their hearts<br /><br />  singing their filthy songs<br /> into Fat Boy u-<br /> ranium ears<br /><br />  &amp; let the rest of us<br /> eat the shit<br /> of their hatred<br /><br />  of anything<br /> or anyone<br /> that is <em>not them</em><br /><br />  Ah! Fat Boy<br /> so round &amp; ugly<br /> so full of hate<br /><br />  stuffed<br /> with the dead spirits<br /> of the Americans<br /><br />  blinded<br /> &amp; lost<br /> in the yucca flats<br /><br /><br /><br />   <em>Detroit<br /> April 9/June 1, 1982<br />  music by Fats Navarro</em><br /><br /><br />]]></description>
			<author>johnsinclair001@hotmail.com (John)</author>
			<category>Full Circle</category>
			<pubDate>Thu, 09 Feb 2006 10:28:30 +0000</pubDate>
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			<title>Double Dealing</title>
			<link>http://localhost/backup/poetry/70-full-cirlce/818-double-dealing.html</link>
			<guid>http://localhost/backup/poetry/70-full-cirlce/818-double-dealing.html</guid>
			<description><![CDATA[<br /> <strong> double dealing </strong><br /><br />  <em>for penny</em><br /><br /><br />   this might be<br /> the corniest<br /> question in the book<br /> but baby, <br /><br />  if you love me &amp;<br /> i love you, then<br /> why do we be having<br /> some other peoples<br /><br />  on the side? i know it s<br /> you i want so<br /> desperately, but if i can&#39;t see you<br />  cuz you with someone else<br /><br />  or it&#39;s just too hard to get a-<br /> long wit  you, then even before<br /> my blood stops boiling i<br /> pick up the phone &amp; call some-<br /><br />  body else so how can i be so<br /> mad wit  you<br /> when i m out here<br /> double dealing<br /><br />  on my own? if it&#39;s just money<br /> that keeps us apart, or all the kids<br /> we got between us, then<br /> why can t we make<br /><br />  the most of it<br /> with each other, &amp; put<br /> the good parts<br /> where they belong, the two of us<br /><br />  together yr legs<br /> around my back, <br /> yr sweet brown body<br /> sh-sh-sh-shaking in my arms<br /><br /><br /><br />  <em>detroit<br /> may 26, 1982<br /> after percy mayfield</em><br /><br /><br />]]></description>
			<author>johnsinclair001@hotmail.com (John)</author>
			<category>Full Circle</category>
			<pubDate>Thu, 09 Feb 2006 10:26:55 +0000</pubDate>
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			<title>Ain't Nobody's Bizness</title>
			<link>http://localhost/backup/poetry/70-full-cirlce/817-aint-nobodys-bizness.html</link>
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			<description><![CDATA[<br /> <strong> ain&#39;t nobody&#39;s bizness if i do </strong><br /><br />  <em>for henry normile, bradley jones &amp; bob  righteous  rudnick</em><br /><br /><br />   we have a right to our bad habits<br /> &amp; if we want to blow our minds<br /> or fuck up our lives, shoot dope<br /> or smoke cocaine, <br /><br />  if we want to eat too much meat, <br /> sit around all day &amp; watch t.v., <br /> stay up all night listening to music<br /> by charlie parker &amp; screamin  jay hawkins, <br /><br />  if we want to walk around naked, <br /> fuck our eyes out, <br /> eat some pussy or suck a cock, <br /> take it up the ass, get our nuts off<br /><br />  700 times a day, <br /> lay around &amp; drink whiskey, <br /> bet on games, shoot dice, <br /> sell some pussy on the street, <br /><br />  if we want to gamble in casinos<br /> or spend our money in a whorehouse, <br /> give the president a blow job<br /> in his big chair in the white house, <br /><br />  walk around the streets<br /> with all our belongings in little bags, <br /> sleep in doorways, <br /> piss in the gutter, <br /><br />  if we want to sleep away the day<br /> &amp; never answer the telephone, <br /> take every meal in restaurants &amp; bars<br /> &amp; never exercise, <br /><br />  &amp; if it comes to the end<br /> of the line for us, we have every right<br /> to blow our motherfucking brains out<br /> or jump off the bridge<br /><br />  or take ourselves away from here<br /> any way we might want to, then baby please, <br /> we got a right to our final choices<br /> &amp; it ain&#39;t nobody bizness if we do<br /><br /><br /><br />  <em>harmonie park, detroit<br /> august 6 &amp; 10, 1988/<br /> new orleans<br /> august 1998</em><br /><br /><br />]]></description>
			<author>johnsinclair001@hotmail.com (John)</author>
			<category>Full Circle</category>
			<pubDate>Thu, 09 Feb 2006 10:25:43 +0000</pubDate>
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			<title>the Screamers</title>
			<link>http://localhost/backup/poetry/70-full-cirlce/816-the-screamers.html</link>
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			<description><![CDATA[<br /><strong> the Screamers </strong><br /><br />     <em>for kenny schooner</em><br /><br /><br />   stagger down overgrown sidewalks <br /> of memory. giving hand &amp;<br /> giggling. (earth angel, how i long<br /><br />  for you. where you been, all these<br /> years. Johnny Ace, with a hole<br /> in his head. where you gwine, <br /><br />  Ivory Joe? or those stupid white<br /> imitations, the Crewcuts, jive Pat<br /> Boone, stealin  their songs. Shh-<br /><br />  Boom. Two Hearts. Chuck Berry, <br /> Jimmy Reed.  I walk 47 miles<br /> of barb wire. I use a cobra snake<br /><br />  for a neck tie. I got a bran/new house<br /> by the road side, made from<br /> rattle snake hide.  O you really<br /><br />  really send me, baby, you<br /> got  to go fo me or I ll<br /> beat yo ass. who<br /><br />  do you love. (weird lullabies.  broken<br /> hearts.  long long &amp;<br /> lonely nights. for your<br /><br />  precious love, I wd have drank<br /> gasoline, &amp; all I wanted<br /> was a little water. where I came from, <br /><br />  mysterious ofays of the imagi-<br /> nation. why you aren t here<br /> with me, old gang, beer<br /><br />  drinkers, bull<br /> shitters. where<br /> did you go? <br /><br /><br /><br /> <em>detroit<br /> march 16, 1965<br /> after leroi jones</em><br /><br /><br />]]></description>
			<author>johnsinclair001@hotmail.com (John)</author>
			<category>Full Circle</category>
			<pubDate>Thu, 09 Feb 2006 10:24:15 +0000</pubDate>
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			<title>Cow</title>
			<link>http://localhost/backup/poetry/70-full-cirlce/815-cow.html</link>
			<guid>http://localhost/backup/poetry/70-full-cirlce/815-cow.html</guid>
			<description><![CDATA[<br /><strong>  cow </strong><br /><br />   or why not say <br /> pig, as say<br /> roland kirk plays on that<br /> mingus side (oh yeah)  where he<br /> roots like one <br /><br />   YEAH YEAH YEAH<br />  root root root for the<br />  home team<br /><br />  or horse, as all the cow<br /> boys rode into town, drinking root<br /> beer &amp; eating steer<br /> burgers<br /><br />   YUM YUM YUM<br />  good for the tum-mee<br /><br />  horse, cow, pig, it&#39;s a<br /> grand old time at the cow<br /> palace  1964  the re-<br /> publican con-<br /> vention<br /><br />   YOW YOW YOW<br />  we is gonna<br />  beat em boss<br /><br />  chickens, ducks, geese, the<br /> poultry scene is all a<br /> squawk &amp; a squabble<br /><br />   GOBBLE GOBBLE GOBBLE<br />  i m a-gonna<br />  eat you up<br /><br />  back to the pasture, the<br /> glue factory, the cow hide &amp; go<br /> seek game in the back<br /><br />  40. leather wallets &amp; t-bone<br /> walker. roland kirk plays<br /> just for you. <br /><br />   MOO MOO MOO<br />  this has been a<br />  paid<br />  political<br />  announcement<br /><br /><br /><br /> <em>detroit<br /> 1965</em><br /><br /><br />]]></description>
			<author>johnsinclair001@hotmail.com (John)</author>
			<category>Full Circle</category>
			<pubDate>Thu, 09 Feb 2006 10:23:02 +0000</pubDate>
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			<title>The Street Beat</title>
			<link>http://localhost/backup/poetry/70-full-cirlce/814-the-street-beat.html</link>
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			<description><![CDATA[<br /><strong> The Street Beat </strong><br /><br />  <em>for James Charles Heard<br /> (October 8, 1917 September 27, 1988)</em><br /><br /><br />   Street Beat. . . <br /> The beat of the street! <br /><br />  Have you heard the way the beat<br /> really came from the street<br /> with Papa J.C. Heard? <br /><br />  He brought the beat to the stage<br /> first with tap-dancing feet<br /> then his drums were the rage  <br /><br />  He got the beat of the street<br /> &amp; his drums spread the word: <br /> Papa J.C. Heard  <br /><br />  We heard him with Bird<br /> before   Koko , &amp; Dizzy Gillespie<br /> &amp; Dexter Gordon, in 1945<br /><br />  out of Detroit<br /> &amp; the Cozy Corner Club<br /> with Teddy Wilson&#39;s band<br /><br />  in 1939, before the war<br /> &amp; then with Benny Carter<br /> &amp; Cab Calloway, Coleman Hawkins, <br /><br />  Duke, Count Basie, Woody Herman, <br /> Louis Armstrong, Jazz<br /> At The Philharmonic, <br /><br />  J.C. Heard<br /> helped set the pace<br /> for the second half<br /><br />  of the 20th century, <br />  he created the guideline<br /> for drummers<br /><br />  who have come after him, <br /> Dizzy said,  he was a member<br /> of the drum triumvirate<br /><br />  along with Kenny Clarke, who in-<br /> vented bebop drumming, <br /> &amp; Max Roach. He was the most<br /><br />  prolific of drummers. He set<br /> such high standards. His loss<br /> is like losing Charlie Parker, <br /><br />  or Kenny [Clarke]. He made<br /> thousands of records, <br /> thousands.  J.C. Heard<br /><br />  traveled the world, <br /> lived five years in Japan, <br /> married Hiroko &amp; came back<br /><br />  to stay<br /> in Las Vegas &amp; L.A., <br /> then returned to Detroit<br /><br />  to play<br /> starting in 1966 he came to play<br /> after his contribution<br /><br />  had been forgotten, he came to play<br /> &amp; made the whole world<br /> listen, <br /><br />  Papa J.C. Heard<br /> brought us the word<br /> &amp; the beat of the street, <br /><br />  for 20 years<br /> we got it all, especially the sound<br /> of his Detroit bebop big band<br /><br />  &amp; the way he made it<br /> swing, <br /> that was the thing<br /><br />  about J.C. Heard, <br /> he made it swing, <br /> he gave us everything<br /><br />  &amp; now he&#39;s gone, but like they say<br /> he went out swinging, <br /> Papa J.C., swinging all the way  <br /><br /><br />  <em>Harmonie Park, Detroit<br /> October 18, 1988</em><br /><br /><br />]]></description>
			<author>johnsinclair001@hotmail.com (John)</author>
			<category>Full Circle</category>
			<pubDate>Thu, 09 Feb 2006 10:21:37 +0000</pubDate>
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			<title>[16] Full Circle Publishing Data</title>
			<link>http://localhost/backup/poetry/70-full-cirlce/229-16-full-circle-publishing-data.html</link>
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			<description><![CDATA[<br />minimal press<br /> burlington, vermont<br /> 1999<br /><br /><br />   The first 11 poems in this collection may be heard on the album<br /> <strong>FULL CIRCLE</strong> by John Sinclair &amp; His Blues Scholars Featuring Wayne Kramer<br /> Alive Records CD0023<br /> Produced by Wayne Kramer &amp; John Sinclair<br /><br />  BONUS CUTS: <br /><br />   Some of These Days  <br /> from Mammoth Records CD 35498-0179-2<br /> <strong>SONGS FOR ROSETTA</strong><br /> John Sinclair with Jas. Mathus &amp; the Knockdown Society<br /> Produced by Jas. Mathus<br /><br />    Scuze Me While I Kiss The Sky  <br /> from Blues Interactions PCD 2827 [Japan] <br /> <strong>P-FUNK GUITAR ARMY: </strong> TRIBUTES TO JIMI HENDRIX, VOL. 1<br /> and <strong>URBAN ROOTS:</strong> Cutting Edge Music Conference 1998 [New Orleans] <br /> John Sinclair &amp; Ras Kente<br /> Produced by George Clinton<br /><br />   friday the 13th  <br />  from Alive/Total Energy Records 10  LP 0010/10<br /> <strong>FRIDAY THE 13TH</strong> John Sinclair with Wayne Kramer<br /> Produced by John Sinclair, Wayne Kramer &amp; Patrick Boissel<br /><br />   i surrender, dear  <br /> from <em>Mesechabe #16</em> Cassette<br /> <strong>WHAT IT SOUNDS LIKE:</strong> MESECHABE AUDIO MAGAZINE<br /> John Sinclair &amp; Ed Moss<br /> Produced by John Sinclair<br /><br /><br />    Doctor Blues ,  Shake  Em On Down ,  Decoration Day ,  Some of These Days  <br /> from <strong>Fattening Frogs For Snakes: Delta Sound Suite</strong><br /><br />   I Talk To The Spirits  from <strong>Song Of Praise: Homage to John Coltrane</strong><br /><br />   monk in orbit ,  friday the 13th ,  i surrender, dear  from <strong>thelonious: a book of monk</strong><br /><br /><br />    All Texts and This Collection (c) 1999 John Sinclair. All Rights Reserved. <br /><br />]]></description>
			<author>johnsinclair001@hotmail.com (John)</author>
			<category>Full Circle</category>
			<pubDate>Mon, 19 Dec 2005 09:42:25 +0000</pubDate>
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			<title>[15] &quot;i surrender, dear&quot;</title>
			<link>http://localhost/backup/poetry/70-full-cirlce/228-15-qi-surrender-dearq.html</link>
			<guid>http://localhost/backup/poetry/70-full-cirlce/228-15-qi-surrender-dearq.html</guid>
			<description><![CDATA[<br /> #76<br /><br />  <strong>&quot;i surrender, dear&quot;</strong><br /><br />  <em>for penny</em> <br /><br /><br />    no matter what <br /> i might do<br /> to get you off my mind<br /> you just won&#39;t leave the premises<br /><br />  &amp; i don&#39;t know how to make it<br /> any clearer, you been<br /> gone so long<br /> that i should be done got<br /><br />  over you by now<br /> but no, there you are<br /> in every motherfucking song<br /> that enters my brain, every day<br /><br />  i want to call you<br /> on the phone &amp; tell you<br /> i love you<br /> in so many words like that, <br /><br />  i can&#39;t live without you, <br /> let&#39;s get back together, <br /> i want to marry you<br /> &amp; stay with you<br /><br />  for the rest of my life, <br /> let&#39;s move to new orleans<br /> &amp; leave this place behind, <br /> i&#39;ll be true to you<br /><br />  like i was so long<br /> when we were together, <br /> i don&#39;t want no-one else<br /> as long as i have you, <br /><br />  these are the words<br /> i wish i could say, but my pride<br /> &amp; the hard times we had<br /> make me hold my tongue, <br /><br />  when you put me<br /> out i swore<br /> there&#39;d be no more going back<br /> &amp; i been trying to make it<br /><br />  without you so long<br /> that it&#39;s driving me crazy, <br /> no buts &amp; no maybes, <br /> do you want me back, <br /><br />  can you live without me, <br /> shouldn&#39;t we be together, <br /> can&#39;t we just swallow our foolish pride<br /> &amp; stop questioning everything<br /><br />  &amp; face the facts for real <br /> you &amp; me together, <br /> baby, all ways<br /> you &amp; me--<br /><br />  <em>i surrender dear</em><br /><br /><br /><br /> <em>harmonie park<br /> detroit<br /> may 21, 1988</em><br /><br /><br />]]></description>
			<author>johnsinclair001@hotmail.com (John)</author>
			<category>Full Circle</category>
			<pubDate>Sun, 18 Dec 2005 08:53:30 +0000</pubDate>
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			<title>[14] &quot;friday the 13th&quot;</title>
			<link>http://localhost/backup/poetry/70-full-cirlce/227-14-qfriday-the-13thq.html</link>
			<guid>http://localhost/backup/poetry/70-full-cirlce/227-14-qfriday-the-13thq.html</guid>
			<description><![CDATA[<br /> #51 <br /><br /><strong>   friday the thirteenth </strong><br /><br />  <em>for mike liebler</em><br /><br /><br />   any day<br /> can be the lucky one, <br /> or the one with your number<br /><br />  written all over it, 123<br /> 507 in the poet&#39;s case, <br /> walking out<br /><br />  the front door<br /> of the penitentiary, <br /> 8:30 p.m. <br /><br />  fourteen years ago today, <br /> two times 7 years the cycle<br /> of struggle, to make it through<br /><br />  in one piece, on the yard<br /> or in these streets,  anyone<br /> who can pick up a frying pan<br /><br />  owns death,  burroughs said, <br /> &amp; sometime in new york city<br /> coming back from the recording studio<br /><br />  walking up to his front door, <br /> john lennon with a gun<br /> stuck in his face, <br /><br />  oh, <br /> oh, sweet giant of song, <br /> with heart of huge dimension<br /><br />  &amp; eyes deep in the sky, <br /> there has to be a day<br /> when each of us must pass<br /><br />  beyond this tedious sphere, <br /> to enter some wondrous place<br /> of which we do not know<br /><br />  whether we&#39;re ready or not, <br /> some other place or space<br /> out of time<br /><br />  where no punk with a weapon<br /> will ever press you again<br /> or blow off your face<br /><br />  out of the depths<br /> of his madness, no one<br /> will hold us<br /><br />  against our will<br /> in a cell with bars in front<br /> &amp; back, 6 feet by 4 feet<br /><br />  by 8 feet high, <br /> no one will take us<br /> out of our natural lives<br /><br />  &amp; send us away from here<br /> by means of some murderous fantasy<br /> in which we are denied<br /><br />  everything we have lived for <br /> oh please let us die<br /> at the end of our own time<br /><br />  &amp; not before, free<br /> in our world of strife, <br /> let us have life<br /><br />  as long as we can<br /> &amp; please, let there be men<br /> like monk &amp; john lennon<br /><br />  to share of their hearts<br /> &amp; light up our ways<br /> as long as we may live<br /><br /><br /><br />     <em>detroit<br /> friday, december 13/<br /> december 30, 1985</em><br /><br /><br />]]></description>
			<author>johnsinclair001@hotmail.com (John)</author>
			<category>Full Circle</category>
			<pubDate>Sun, 18 Dec 2005 08:52:29 +0000</pubDate>
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			<title>[13] &quot;Scuze Me While I Kiss the Sky</title>
			<link>http://localhost/backup/poetry/70-full-cirlce/226-13-qscuze-me-while-i-kiss-the-sky.html</link>
			<guid>http://localhost/backup/poetry/70-full-cirlce/226-13-qscuze-me-while-i-kiss-the-sky.html</guid>
			<description><![CDATA[<br /><strong>   Scuze Me While I Kiss The Sky  </strong><br /><br />   <em>for Jimi Hendrix</em><br /><br /><br />   Up from the skies <br /> over Seattle<br /> like a Boeing jet<br /> out of Mississippi, <br /><br />  guitar blazing fire<br /> out of Elmore James<br /> &amp; Muddy Waters, Chuck Berry<br /> &amp; Little Richard, <br /><br />  taking stage after stage<br /> back &amp; forth across the country, <br /> laying it down for the Queen<br /> of Rock &amp; Roll, <br /><br />  then it&#39;s Jimmy James &amp; his Jammers<br /> at the Cafe Wha<br /> in New York City, <br /> Greenwich Village stylee, <br /><br />  guitar paratrooper<br /> dropping from the skies over America<br /> with the bomb<br /> in his front pocket<br /><br />  &amp; Miles Davis<br /> on the phone, Gil Evans<br />  listening<br /> &amp; taking notes, <br /><br />  Every guitar player<br /> in England &amp; America<br /> tuned in to his frequencies<br /> for everything they re worth <br /><br />  Jimi Hendrix, baby, <br /> blowing up the music<br /> into something as vast<br /> as the inside of his head, <br /><br />  fitting the music<br /> around his pounding heart<br /> &amp; the explosions going off<br /> inside his nerve endings, <br /><br />  the colors on the wall, <br /> on his back &amp; in-<br /> side his cranium, the colors<br />  of all colors, <br /><br />  colors of rhythm, <br /> colors of blues, <br /> colors of guitar string<br /> &amp; Marshall amplifiers<br /><br />  stacked up high<br /> over his head, <br /> colors of explosions<br /> &amp; bombs bursting in air, <br /><br />  Jimi changed the music<br /> forever, in so<br /> many different ways, <br /> he changed the music<br /><br />  like it&#39;s never been changed<br /> in all the years since, he took the colors<br /> of everything in life<br /> &amp; put them right in the music<br /><br />  where they belong<br /> &amp; made it sing colors<br /> without end, kissing the sky<br /> again &amp; again &amp; again<br /><br /><br /><br />     <em>Ursulines Street<br /> New Orleans<br /> February 17, 1994</em><br /><br /><br />]]></description>
			<author>johnsinclair001@hotmail.com (John)</author>
			<category>Full Circle</category>
			<pubDate>Sun, 18 Dec 2005 08:51:48 +0000</pubDate>
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